Sunday 30 September 2012

Band Branding Creativity Task, Portfolio


In our Media lesson today we were given a Band Branding task, to help us with our own Band Branding for our music video. Our teacher gave us a a package filled with information of an unknown band and their band history, also hearing their song St Andrews, which we would be making a concept of the music video too. Our task was to:

1. Respect individuality and creativity of the bands music.

2. Create vision to the band and a detailed breakdown of the creative process for the end result.

3. Concept for a video and creative process.

We had to consider the Audience, Representation and the Creativity behind our creativity process for the concept of a music video.


Bedouin Soundclash


Creative Process

Step One: 

Opened the Band Artist package and read through the bands history, background information of each band member, awards won and nominations, and gigs/festivals performed at.

Step Two:

Highlighted key information, lyrics of the band's song and the representation of the band themselves. For example the image of the band walking across the train line, the drummer Sekou Lumumba, has a religious cross necklace representing that the band may have religious references. 

Step Three:

Identified the band genre from listening to St Andrews; Alternative Rock and Reggae. 

Step Four:

Brainstormed Bedouin Soundclash and the band history. 

Step Five:

Brainstormed a music video concept for St Andrews 

We wanted our Video Concept to include:
- Religious reference
- Urban not country theme
- Natural/neutral colour scheme
- Reggae festival in a church background.








Research and Planning: Shot List for Music Video

Shot Type
Frame Content
Location
Timing
Extreme Close up
Jenny’s feet
Living room
1
Extreme Close up
Jenny’s Ankle
Living Room
1
Extreme Close Up
Jenny’s Hands
Living Room
1
Extreme Close up
Jenny’s wrist
Living Room
1
Extreme Close up
Jenny’s Arms
Living Room
1
Extreme Close up
Jenny’s Shoulders
Living Room
1
Extreme Close Up
Jenny’s neck
Living Room
1
Extreme Close Up
Jenny’s Eyes
Living Room
1
Medium Shot
Jenny Walks around the room she picks up a book attempts to read the book and then discards it.
Living Room
 1
Medium Shot
Jenny moves around the flower pot yet cannot decide on the correct place to put it she becomes frustrated.
Living Room
 1
Medium Shot
She picks up a tattered newspaper and the headlines become jumbled.
Living Room
 1
Montage
Montage of the headline shots becoming more and more confused she drops the paper.
Living Room
 1
Medium shot
As she picks up the paper her head darts up and the camera pans to reveal a figure flashing past the window.
Living Room
Medium Shot
Jenny continues to walk aimlessly around the room, fades in show her moving from one place to the next shifting from moments being curled up in a call to her pacing.
Living Room
 1
Medium shot
She gives up and collapses in to the sofa her head buried in the cushions.
Living Room
 
Medium shot
Jenny is then moved by something she looks up.
Living Room
 
Medium shot
Point of View shot that sees the end of a white dress moving in the direction of the front door.
Living Room
 
Close up
Jenny picking up her jacket and her keys.
Living room.
 
Medium close up
Point of view shot of Jenny leaving the living room seeing the front door shut and walking down the corridor.
Living Room and Hallway
 
Extreme Close up
The camera Zooms to enter closer and closer in to the door frame.
Hallway
 
Extreme Close up
The camera appears to travel through the door and instead of arriving in a front garden it follows Jenny walking along a busy high street.
Cardiff Town Centre
 
Medium Long Shot
Point of View shot Jenny is being tormented by both the real world and her mind people are banging in to her and her mind creates the image of them tormenting her in particular.
Cardiff Town Centre
 
Medium Long Shot
Point of View shot Jenny sees Amy for the first time and begins to head in her direction.
Cardiff Town Centre
 
Medium Long Shot
Wide shot of Jenny heading in the direction of Amy as she gets closer to Amy the crowd thins and seems not as daunting as before.
Cardiff Town Centre
 
Close up.
Jenny gets to the end of the road and no sign of Amy, the camera then zooms in and makes the close up more extreme until only her eyes are in the frame, she is crying, she wipes away the tear and the camera zooms out.
Cardiff Town Centre
 
Long Shot
As the camera zooms out it becomes clear that jenny is in the Beacons. She gathers her bearings and follows the stream that is by her side.
Brecon Beacons
 
Close up
Jenny placing her hand in the water.
Brecon Beacon
 
Low angle, long shot
Jenny looks up at the ridge and sees Amy standing by a tree she does not disappear immediately, Amy walks in the direction of the waterfall and Jenny Follows.
Brecon Beacon
 
Cross Fade Medium Shot
Amy is on the left hand side of the waterfall looking right, the water on the waterfall is going backwards.
Brecon Beacon
 
Cross fade Medium Long shot
Jenny is on the right hand side of the waterfall looking left the water on the waterfall is flowing in the correct way.
Brecon Beacon
 
Medium Long shot
Jenny Walks across the waterfall in the direction where Amy once appeared and then follows a path, at the end of the path is Amy when Jenny reaches the point where she can see her Amy turns a corner and Jenny walks to meet her.
Brecon Beacons
 
Wide Shot
Amy walks to the far left of the frame and stops, Jenny reaches the base right of the frame and they both pause, they are then engulfed in leaves, as they walk to meet each other.
Brecon Beacons
 
Medium close up
Point of view shot as Jenny looks at all of the leaves that surround her.
Brecon Beacons
 
Medium close up
Amy and Jenny are side on to the camera Amy hands Jenny a single white rose
Brecon Beacons
 
Close up
Point of view shot as Jenny admires the rose
Brecon Beacons
 
Medium close up
Jenny brings the rose to her nose and smells it, the rose makes her smile. She turns around to look back at Amy and is shocked.
Brecon Beacons
 
Wide shot
Jenny is side on to the camera she is standing on a bed of leaves and Amy has vanished.
Brecon Beacons
 
FADE OUT
 
 
 


 

Sunday 23 September 2012

Research and Planning: Music Video Directors

Luke Bellis

Luke joined Agile from Flynn Productions in 

June 2011, having made a name for himself 

with a series of bold, current and 

imaginative promos for big-name bands 

including McFly, 

The Cribs, Young Knives, The Pipettes and 

Fenech-Soler.

An After-Effects and editing whizz-kid who graduated from Ravensbourne College in 2010, 

Luke's interests are intensive and wide-ranging, and he keeps his ear to the ground with 

regards to the latest film, music and fashion trends. 

To date, his videos have received over 2m hits on YouTube as well as frequently being 

highly ranked on the NME TV playlist.


Luke Bellis director-ed music videos: Lower Than Atlantic




Luke Bellis director-ed music videos: The Cribs





Luke also has a website showing music video's he has director-ed:




Friday 21 September 2012

Research and Planning: Music Video Directors


Meet the new wave of directors freeing music videos from the shackles of the MTV playlist

How they got started, where they get their ideas from, and what their favourite videos are
Klaxons Saam Farahmand
Klaxons' Echoes, directed by Saam Farahmand

Saam Farahmand: Publicity-shy director who's shot for Janet Jackson and the xx

Hits Janet Jackson – Rock With U; These New Puritans – Elvis; The xx – Islands; Cheryl Cole – 3 Words
Saam Farahmand
What's the oddest thing you've done in the name of a pop video? I suspended Janet Jackson in mid-air and poured a vat of honey over her to make an effect. A smarter person might have created this effect on a computer in 10 minutes …
Do you prefer directing megastars or new bands? When you work with a new band, your decisions can form their identity. Big DIY with imaginary budgets is how I roll.
Where do your ideas come from? My background was, weirdly, in science and art.
Why are music videos important? Music videos are often spoken of as "low culture" because of their accessibility, so it's great when a song is given a lease of life through the video.
Favourite video Madonna – Open Your Heart
Worst video It's one of my own but I can't tell you which.

Kinga Burza: Video romantic who's shot promos for Katy Perry, Kate Nash and Marina And The Diamonds

Hits Katy Perry – I Kissed A Girl; Kate Nash – Foundations; Peaches – I Feel Cream
Kinga Burza
How did you start? I did my first video for my ex, who was in a band. Then I found Kate Nash at a gig. She grew with me; she hadn't been filmed before so we were both learning.
What's the best thing about your job? I listen to a track and something comes into my head. I then make it a reality. It's never going to be exactly as it was when I first heard it, but it's so satisfying.
Why are female video directors so rare? I don't get why there are so many men; it's not like I'm a mechanic. I'm just kind of girly anyway.
Where's the oddest place your work has taken you? With Katy Perry's video I had five days to do and … we ended up using a castle where they'd filmed porn and horror films. But there was one white room. The runner had to clean it a lot.
Favourite video Michael Jackson – Thriller
Worst Carly Simon – Why

Marco Brambilla: New York-based artist who teamed up with Kanye West for Power

Marco Brambilla
How did the team-up with Kanye come about? He approached me after seeing my piece Civilization [a Dante's Inferno-style epic]. My first response was that videos weren't something I did, but he's a risk-taker and let me do what I wanted.
What was the idea behind it? I kept coming back to the lyric about how "no man should have all that power". It's a comment on how celebrities are built up and brought back down by the public.
Was it tricky to put together? I photographed Kanye and made a collage using Caravaggio and Michelangelo paintings. It took me a week on Photoshop to work it out.
Would you do another pop video? Kanye is a one-off, I think. Right now, I'm doing a piece called Evolution. It's a sequel to Civilization, a sideways scroll in 3D. It's taken 14 months to do.
Favourite video Elton John – I Want Love
Worst video You could put 20 hip-hop videos together and it would be hard to work out who was the artist.

Nova Dando: Designer who works with Kele Okereke and La Roux

Nova Dando
Hits Klaxons – Echoes; MIA – Jimmy; Hercules And Love Affair – Blind; La Roux – Bulletproof
How did you get started? I moved into a warehouse building and Saam [Farahmand, video director] was my flatmate, and all my friends were in bands.
Did you want to work with videos when you grew up? I was obsessed with MTV. I kind of meandered into this job and didn't think about it, but it's good because I can reference any music video.
Where's the oddest place work has taken you? I did the Top Of The Pops special with La Roux and got to be in the audience. I had wanted to be on Top Of The Pops for ever.
Any plans to work on a film? I like the fast pace of videos. I would like to do a film, but in a few years. At the moment, my ambition is to do a world tour with someone like Kylie, Madonna or Grace Jones.
Favourite video Peter Gabriel – Sledgehammer
Worst video Steklovata [Russian boy band] – Nowiy God