Research and Planning: Equipment Checklist for 'Victim of the Mind'

Equipment	Taken up	Brought Back
2x HD Hand held Cameras and cases
1x Steady Cam
1X Tripod
1x gorilla tripod
Video tapes

Second Check

Equipment	Taken up	Brought Back
2x HD Hand held Cameras and cases
1x Steady Cam
1X Tripod
1x gorilla tripod
Video tapes

Third Check 

Equipment	Taken up	Brought Back
2x HD Hand held Cameras and cases
1x Steady Cam
1X Tripod
1x gorilla tripod
Video tapes

Research and Planning: Call Sheet 2

Research and Planning: Call Sheet 2

Time	Actors/ Crew Needed	Shot Description	Location	Notes
10:30	All crew and Actors	Travel to the Waterfall and film shots 41 and 42.	Waterfall	Filming first as it is the first location on the way and due to moving equipment and people it's more sensible
12:00	All Crew and Actors	Begin to move all equipment back to the car and journey to main site.	Waterfall- Camping ground
12.30	Hazel, Rebecca, and Adam	Set up the unit base and the first shot.	Camping ground
13:00	All crew and cast	Have lunch	Camping ground
14:00	Crew and cast	Film shots 37, 38, 39, 40, 43, 44, 45, 46,47,34, 35, 36	Camping ground, ridge and flatland	There will be some movement around three areas yet they are all in the like next door neighbor area of each other
17:30	All crew and Cast	Leave Beacons	Beacons to Camden Road
18:00	All crew and Cast	Have dinner	Camden Road
20:00	Jenny, Hazel, Rebecca,	Shoot 48-50	Camden Road
22:00	All crew and Cast	Finish	Camden Road

Call Sheet

Date: 6/10/2012

Research and Planning: Call Sheet One

Call Sheet

5/10/12

Time	Needed	Shots	Location	Notes
16:30-18:00	All cast and crew	-----	Camden Road	Walk through of shots and set up of make up for Jenny and Amy
18:00-21:00	All crew	----	Camden Road	Set up of the room and lighting. Touch up of make-up for Jenny and Amy
22:00	Cast and crew	1-23	Camden Road	If it is not possible to have all the shots filmed at that time then they can be filmed the following evening.

Research and Planning: Location Travel Route

Date: 5/10/2012
Depart: 18:30
Arrive: 22:00
Exact Address of Departure: 40 Pell Street, Reading, RG1 2NZ 
Exact Address of Destination: 20 Camden Road, Brecon, Powys, LD3 7RS
Directions to the Destination Distance: 134.9 miles (show in km)
Time: 2 hr 33 min

A4	0.00	Start out on Pell Street
	0.64	Warning: Speed Cameras along the A4
	0.98	At traffic signals turn left onto the A4
	1.10	At roundabout take the 2nd exit onto the A4
	1.73	At roundabout take the 2nd exit onto the A4
	1.98	At roundabout take the 1st exit onto the A4
	2.18	At traffic signals continue forward onto the A4
	2.31	At traffic signals continue forward onto the A4
	2.78	At traffic signals continue forward onto the A4
	3.80	At roundabout take the 2nd exit onto the A4 Newbury, M4
	4.03	At roundabout take the 2nd exit onto the A4 Newbury, M4
M4	4.25	At roundabout take the 3rd exit, then join the M4 motorway South Wales, Newbury, Oxford
	15.59	Chieveley Service Area AA Members save 20% (10% M&S)
	27.20	Membury Service Area (WELCOME BREAK)
	55.36	Leigh Delamere Service Area
	74.57	At Junction 20 continue forward onto the M4 South Wales
	82.15	Second Severn Bridge (Toll)
	88.15	At Junction 23a continue forward onto the M4 Cardiff, Newport
	88.36	Magor Service Area
A449	92.07	Leave the M4 at junction 24, then at Coldra roundabout take the 4th exit onto the A449 M50 The Midlands, Monmouth
A40	105.09	Branch left, then merge onto the A40 Abergavenny
	106.21	At roundabout take the 3rd exit onto the A40 Abergavenny
	113.98	At roundabout take the 3rd exit onto the A40 Abergavenny
	114.90	Bear right onto Monk Street Brecon
	115.13	At traffic signals turn left onto the A40 Brecon
	115.71	At roundabout take the 2nd exit onto the A40 Brecon
B4601	133.61	At roundabout take the 2nd exit onto the B4601 Brecon
	134.24	Turn right
	134.28	Turn left onto Camden Road
	134.88	Show Map | Hotels | Restaurants Arrive on Camden Road
		Section time 2:33, Total time 2:33

Research and Planning: 'Victim of the Mind' - Shot Breakdown Two

MORNING-AFTERNOON 

Shot 41- Wide shot at the waterfall Jenny is on the right hand side of the waterfall and Amy is on the right the lighting needs to be bright and natural. This shot needs to be taken in many ways:

1. With Jenny on the right and no one on the left 
2. With both Amy on the left and Jenny on the right 
3. With Amy on the left and no one on the right. 

Shot 42- See above

Shot 37- P.O.V of Amy from the ridge the tree should be seen in the right hand side of the shot and Jenny should be seen in the centre and the base of the shot representing the height and distance that is still between them, the lighting should be natural. 

Shot 38- P.O.V of Jenny looking at the water and then the camera pans to show Amy standing on the ridge, the lighting is natural.

Shot 39- over the shoulder shot of Amy looking at Jenny and Jenny looking back, this shot is kept as Amy moves towards the left and from below you can see that Jenny is following, the lighting is natural. 

Shot 40- Taken from a long distance you see Amy and Jenny walking in the same direction Amy looks directly ahead but Jenny looks at Amy. 

Shot 43- Jenny follows Amy down a path that is not very clear you see Amy turn round a corner and Jenny speeds up to follow when Jenny turns round the corner the shot ends. 

Shot 44- Amy walks past the centre to the far left of the shot they are on an area of flat land that the beacons surround. Walks to the right of the frame and stops. Amy turns to look and Jenny, there is a pause and then in unison the two walk to meet each other in the middle. Browned leaves begin to engulf them and create an area to themselves. 

Shot 45- The camera begins to circle around Jenny and Amy, Amy's focus is Jenny but Jenny's focus is the leaves. 

Shot 46- P.O.V. of jenny looking at the leaves, natural lighting the camera tilts to see Amy handing her a rose that is in bud. 

Shot 47- P.O.V of Amy watching Jenny smell an open rose, natural lighting Jenny closes her eyes and fade out. 

Shot 34- Long shot Jenny is on a slope surrounded by hills she turns to look around her but slowly as if breathing in her surroundings rather than being shocked by them. Natural lighting.

Shot 35- Jenny walks in a direction purposefully as if knowing where she is going the camera tracks this movement. 

Shot 36- Jenny reaches a stream and crouches by a particular spot and starts to trail her fingers in the water. 

Research and Planning: 'Victim of the Mind' - Shot Breakdown One

20 CAMDEN ROAD SHOTS- 5/10/12- EVENING 

Shot-0 – Fade in 

Shot 1- Television static, dim in brightness

Shot 2- Extreme close up of Jenny's feet the lighting needs to be dim enough to make the room feel dark and cold but light enough so that her feet can clearly by seen. 

Shot 3- Television static

Shot 4- same as shot 2 but with Jenny's ankle and leg being the focus of the shot. 

Shot 5- Television Static 

Shot 6- Same as shot 2 with her left shoulder being the focus of the shot 

Shot 7- Television static 

Shot 8- Same as shot 2 with her right shoulder being the focus of the shot. 

Shot 9- Television Static 

Shot 10- Same as shot 2 with Jenny's nails being the focus of the shot.

Shot 11- Television Static 

Shot 12- Same as shot 2 but with Jenny's hair being the focus of the shot.

Shot 13- Same as shot 2 but with Jenny's lips being the main focus.

Shot 14- Same as shot 2 but with Jenny's nose and cheeks being the main focus.

Shot 15- Extreme close up of Jenny's eyes there should be a strip of diagonal light that crosses over her eyes it should look as though that diagonal strip of light is the only source of light in the room. 

Shot 16- Medium close up it should become clear at this point that the light is in a diagonal strip and that Jenny has her back to an unpainted and un-wallpapered wall where her eyes are smoky and she looks uptight but with a certain disregard for her own well-being. 

Shot 17- This shot illustrates the fact that Jenny is sitting by an unlit fireplace that is painted white around the edges yet is hollow and black in the centre, on the mantel piece is only a huge portrait of a girl and a vase of wide flowers. She is surrounded by old books that look out of date and also uncared for they are placed in such a way that they seem to crowd her and she sees them as both a source of protection and frustration. 

Shot 18- Jenny carelessly moves the books as if not particularly interested in the task at hand she stops on one old book that has a broken spine and seems as though it was made in Victorian times, she opens the book and starts to read then flicks through the pages and discards the book in a half-hearted attempt to appear angry. She rests her head in to the side of the fireplace and then throws her head in to her hands as if she is crying but she remains somewhat motionless. 

Shot 19- The camera moves with Jenny as she slowly gets up off of the floor and walks toward the mantel piece she places her index finger on the corner closest to her and begins to trace the edge of the mantel piece until she reaches the vase at the end of opposite side (at which point you realise that she is in a bedroom and that the bed is messy and looks unclean.) She gently begins to stroke the stem of one of the flowers and as if they make her peaceful but then she stops there is a pause where Jenny is just motionless and then she throws the vase on to the floor and it smashes. 

Shot 20- The vase falling in slow motion where you can see every aspect of the fall and smash of the vase of flowers. 

Shot 21- The doorway is in the centre of the shot and there is a flash of white across the door. The lighting on the corridor is dim.

Shot 22- Jenny is still by the broken vase she turns sharply to see the flash pass the door.

Shot 23- Jenny walks slowly around the room, past the bed in to the near pitch black corridor the camera tracks her movements the whole time you see the door at the end of the corridor just close and Jenny walks toward it and the camera zooms in to her back. 

Shot 24- Jenny is once again crouching by the fireplace however she still has a rose in her hand the room is much brighter and there is a small fire burning in the fireplace, the camera tracks her to see her going to the dresser taking out a vase and placing the rose in it. 

Shot 25- Long shot of Jenny Standing by the fireplace and admiring the rose.

Shot 26- Close up of the rose, fade out. 

Research and Planning: Final Music Video Script

Section One:

Fade in 

Television Static appears on the screen it is dim and faint, fade to an extreme close up of a person's feet the room is dimly lit the camera tilts up slowly to reveal the person's ankles, straight cut to the Television Static, fade in to reveal the camera panning moving from her right shoulder to her left shoulder, straight cut back to the static, fade in to extreme close up of the girls hands the nails are painted darkly and badly chipped the nails appear as if they have never really been cared for, straight cut to Television Static then fade in to an extreme close up of a girls lips they are pale pink with a slight hint of gloss yet the rest of her is pale. Straight cut to the static, straight cut to an extreme close up of the girl's eyes they are dark and smoky she looks wide eyed and depressed and the light diagonally goes across her face so that her eyes are the only part of her face to be lit. Straight cut.

Medium close up of the girl showing her from the shoulder up she is dressed darkly with long hair that is in a similar fashion to her nails and looks un-cared for and untidy. She looks directly at the camera and then looks away as if she doesn't know what to do with herself, straight cut, reveals that she is sitting by a fired place that is not lit the room appears cold and the only source of light in the room is the diagonal strip that comes from a small window in the room. On the mantel piece is a vase of carnations and a painting of another girl, surrounding Jenny on the floor are several books, straight cut, Medium long shot Jenny picks up the oldest book in the pile and opens it as if about to read yet soon becomes frustrated and throws the book across the floor, she then rests her head against the fireplace as if about to cry yet she hits it in anger, straight cut.

Medium long shot, Jenny slowly rises from the floor and begins to trace the edge of the mantel piece slowly as if she finds it comforting, it is revealed that she is in a bedroom and the bed is messy and unmade, Jenny begins to look at the flowers and gently strokes the stem of one of the carnations then suddenly she throws the vase off of the mantel piece, straight cut, Close up reveals the vase being thrown off of the mantel piece and slowly pans down to show the vase falling to the floor and smashing in to several small pieces. Straight cut, Medium Close up, the camera tracks Jenny moving back to the fireplace she resumes her sitting position and buries her head in her hands. 

A medium long shot reveals a figure dressed in white fleeting past the room and down the hall way to the left, reverse shot shows Jenny looking up she does not immediately move and looks as though she is questioning whether or not she just saw what she thought she saw, she slowly rises from the floor and heads in the direction of the door.

The camera tracks her movements and her face is in the full frame, until she reaches the door and then the camera pans to follow her walking out of the door and down the dark corridor, at the same time you see the white figure heading through the door and watching it close and Jenny timidly walks towards the door the camera begins to zoom until all that can be seen in the frame is the black of Jenny's back, the camera zooms out to reveal Jenny walking down a narrow street at night.

Section Two:

Camera zooms out to a medium long shot to reveal Jenny walking down a narrow street at night, reverse shot/ reaction shot where Jenny appears anxious and afraid of her surroundings, straight cut, medium long shot reveals the alley to be dark and lit by faint street lamps, in the distance you can see a group of people walking around a corner, reverse shot Jenny looks terrified she begins to turn back but decides to continue forward. P.O.V of her walking towards and through the group they appear terrifying and look as though they are tormenting her, straight cut medium long shot shows her coming through the group she is highly distressed and near to a complete panic attack. Long shot shows that the group was merely just a drunken group of clubbers who are on their way home. 

Long shot shows Jenny is still frozen on the street, over the shoulder shot reveals a flash of white at the end of the street, reaction shot reveals Jenny moving in the direction of the white and the journey continues, she turns down the street, straight cut she reaches the end of the street and the camera begins to zoom until all that can be seen in the frame is Jenny's eyes, it becomes clear at this point that she has begun to cry, she wipes away a tear and the camera begins to slowly zoom out. 

Section Three:

As the camera zooms out the lighting has changed and Jenny is surrounded by bright natural light, as the camera continues to slowly zoom it becomes clearer and clearer that she has moved to a hilled are, straight cut, medium long shot shows Jenny taking in her surroundings she turns and the camera tracks her as she seems to follow something, she reaches a shallow stream and begins to wash her hand, straight cut, P.O.V shot of someone watching Jenny from above, straight cut, close up of Jenny washing her hands in the water, she then turns, straight cut, low angle shot reveals Amy standing on the ridge above the lighting is still bright and natural.

Amy begins to walk and Jenny follows, they walk together high angle shot reveals the direction that both of them are walking in, cross fade, close up of Jenny for the first time looking confident and strong as if Amy gives her strength, cross fade close up of Amy her make up is pale and gentle creating both the idea that she is both kind and strong at the same time, cross fade, reveals Amy standing at the left hand side of the frame looking right she is standing by the side of the waterfall, the light is bright but the surrounding trees create shelter which is apparent, cross fade, Jenny is on the right hand side of the frame and looking left Jenny walks across the water fall in the direction that Amy has just left, straight cut, long shot shows Jenny walking down an uncared for path way she is following Amy, straight cut, long shot shows Amy turning a corner and Jenny speeds up more confidently in her strides. 

As Jenny turns round the corner, straight cut wide shot shows an area of flat land that is surrounded by the beacons Amy walks to the far left side of the frame and stops as Jenny enters the far right side of the frame and then Amy turns to face Jenny they pause taken in by the moment, leaves begin to engulf them Jenny begins to walk towards Amy and Amy walks to meet Jenny until they both are facing each other in the middle of the frame. P.O.V shot reveals Jenny mesmerized by the leaves the camera follows the leaves, straight cut, wide shot shows the two watching the leaves the slot is slow. Medium close up, the camera moves around the two girls engulfing them in a circle showing that Jenny is looking significantly better her eye shadow is lighter and her lipstick slightly darker she looks better and more healthy.

Amy looks the same but appears happy that Jenny is on the road to recovery. Straight cut P.O.V of Jenny watching Amy as she hands her a white rose bud, straight cut, P.O.V of Amy as Jenny receives the rose and it is in full bud, she smells the rose and smiles she closes her eyes, fade out, fade in, Jenny is sitting by the fire-place the broken vase is still by her side yet she appears happier and the make up change is still the same she is still holding the white rose she looks at it, the camera pans to follow her walking to the dresser taking out a new vase and placing the single rose in the vase and placing it back of the mantle piece she smiles, straight cut, close up of the rose, fade out.

Research and Planning: Final Shot List for 'Victim of the Mind' Music Video

Shot Number	Angle	Shot distance	Description	Location	Interior Exterior	Cut	Duration Est. seconds
0	----	----	----	-----	----	Fade in	1
1	----	----	Television Static	----	----	Straight cut	1
2	Low angle	Extreme close up	Jenny's feet	Guest room	Interior	Straight cut	2
3	----	----	Television Static	----	----	Straight Cut	1
4	Low Angle	Extreme close up	Jenny's ankle tilt to base of leg	Guest Room	Interior	Straight Cut	2
5	----	-----	Television Static	----	-----	Straight cut	1
6	Side angle	Close up	Jenny's Left Shoulder	Guest Room	Interior	Straight Cut	2
7	----	----	Television Static	----	----	Straight Cut	1
8	Side Angle	Close up	Jenny's Right Shoulder	Guest Room	Interior	Straight cut	2
9	----	----	Television Static	----	----	Straight cut	1
10	Low Angle	Extreme Close up	Jenny's Nails	Guest room	Interior	Straight cut	2
11	----	----	Television Static	----	----	Straight cut	1
12	High Angle	Close up	Jenny's Hair	Guest Room	Interior	Straight cut	2
13	Straight on	Extreme Close up	Jenny's Lips	Guest Room	Interior	Straight Cut	2
14	Straight on	Extreme close up	Jenny's Nose and cheeks	Guest room	Interior	Straight Cut	2
15	Straight on	Extreme Close up	Jenny's Eyes	Guest Room	Interior	Fade out	2
16	Straight on	Medium Close up	Jenny from Shoulder up looking at the camera	Guest Room	Interior	Straight cut	4
17	Low Angle	Medium Long shot	Jenny is sitting next to a fireplace	Guest Room	Interior	Straight cut	4
18	Low Angle	Close up	Jenny picks up a book	Guest Room	Interior	Straight cut	4
19	Side Angle/ Straight on	Medium Close up	Jenny Traces the mantel piece with her finger.	Guest Room	Interior	Straight cut	4
20	Low Angle	Close up/ Extreme close up	Flowers falling to the floor	Guest Room	Interior	Straight cut	4
21	High Angle	Long Shot	White flash across the bedroom door	Guest Room	Interior	Straight cut	2
22	Straight on	Medium Close up	Jenny noticing the flash	Guest room	Interior	Straight cut	3
23	Side Angle	Medium Long shot	Jenny walking towards the door, tracking until she reaches the end of the corridor	Guest room	Interior	Zoom/ fade	6
24	Low Angle	Close up- Medium Long shot	Jenny walking down a narrow lane towards a crowd of people	Cardiff	Exterior	Straight cut	4
25	Straight on	Close up Reaction shot	Jenny seeing the group of people and about to retreat	Cardiff	Exterior	Straight Cut	4
26	High Angle	Long shot	Jenny Walking towards the crowd of people	Cardiff	Exterior	Straight cut	3
27	P.O.V	Close up	Jenny walking through the group of people.	Cardiff	Exterior	Straight cut	4
28	High Angle	Long shot	Jenny getting through the group of people.	Cardiff	Exterior	Straight Cut	4
29	Low Angle	Medium Long shot	Revealing the group as just lively drunken people.	Cardiff	Exterior	Straight cut	4
30	Low Angle	Long Shot	Jenny still panicked after walking through the group of people	Cardiff	Exterior	Straight Cut	3
31	Straight on	Medium long shot	White flash turning around the street corner	Cardiff	Exterior	Straight cut	2
32	Straight on	Close up- extreme close up	Jenny's face is in the frame zoom so that only her eyes are	Cardiff	Exterior	Straight cut	4
33	High Angle	Camera zooms out to medium long shot	Jenny is now on a Beacon	Brecon Beacons	Exterior	Straight cut	4
34	Straight on	Medium Long shot	Jenny taking in her surroundings	Brecon Beacons	Exterior	Straight cut	4
35	Side Angle	Long shot	Jenny walking in a specific direction	Brecon Beacons	Exterior	Straight cut	4
36	High angle	Close up	Jenny crouching by the stream	Brecon Beacons	Exterior	Straight cut	3
37	High angle	P.O.V Long shot	Amy watching Jenny	Brecon Beacons	Exterior	Straight cut	3
38	Low Angle	P.O.V close up to long shot	Jenny's P.O.V she moves from looking at the water to seeing a silhouette by a tree on the ridge.	Brecon Beacons	Exterior	Straight cut	3
39	Over the shoulder	Long shot	Amy looking at Jenny She begins to move towards the right and you see Jenny following from below.	Brecon Beacons	Exterior	Straight cut	4
40	High Angle	Long shot	Tracking Jenny and Amy moving along the stream.	Brecon Beacons	Exterior	Cross Fade	4
41	High Angle	Long shot	Jenny and Amy at the waterfall	Brecon Beacons	Exterior	Cross fade	5
42	Straight on	Medium long shot	Jenny and Amy at the waterfall	Brecon Beacons	Exterior	Cross fade	4
43	Low Angle	Long shot	Jenny following Amy down a path	Brecon Beacons	Exterior	Straight cut	4
44	Straight angle	Wide shot	Amy walks to left hand of the frame Jenny to the right leaves begin to fall, walk towards each other.	Brecon Beacons	Exterior	Straight cut	7
45	Straight Angle	Medium Long shot	Jenny and Amy are captured in a circle	Brecon Beacons	Exterior	Straight cut	6
46	Low angle	P.O.V. close up	Jenny watching the leaves follows them to see Amy, Amy hands her a rose.	Brecon Beacons	Exterior	Straight cut	6
47	Straight on	P.O.V Close up	Amy watching Jenny smell the rose	Brecon Beacons	Exterior	Fade out	6
48	Low Angle	Close up	Jenny is once again crouching by the fireplace, fire is lit rose is in her hand.	Guest Room	Interior	Straight cut	4
49	High Angle	Medium Long shot	Jenny heads over to the dresser replaces the vase and puts the rose in the vase.	Guest Room	Interior	Cross Fade	4
50	Straight on	Close up	Close up of the rose	Guest room	Interior	Fade out	4