Research and Planning: 'Victim of the Mind' - Shot Breakdown Two

MORNING-AFTERNOON 

Shot 41- Wide shot at the waterfall Jenny is on the right hand side of the waterfall and Amy is on the right the lighting needs to be bright and natural. This shot needs to be taken in many ways:

1. With Jenny on the right and no one on the left 
2. With both Amy on the left and Jenny on the right 
3. With Amy on the left and no one on the right. 

Shot 42- See above

Shot 37- P.O.V of Amy from the ridge the tree should be seen in the right hand side of the shot and Jenny should be seen in the centre and the base of the shot representing the height and distance that is still between them, the lighting should be natural. 

Shot 38- P.O.V of Jenny looking at the water and then the camera pans to show Amy standing on the ridge, the lighting is natural.

Shot 39- over the shoulder shot of Amy looking at Jenny and Jenny looking back, this shot is kept as Amy moves towards the left and from below you can see that Jenny is following, the lighting is natural. 

Shot 40- Taken from a long distance you see Amy and Jenny walking in the same direction Amy looks directly ahead but Jenny looks at Amy. 

Shot 43- Jenny follows Amy down a path that is not very clear you see Amy turn round a corner and Jenny speeds up to follow when Jenny turns round the corner the shot ends. 

Shot 44- Amy walks past the centre to the far left of the shot they are on an area of flat land that the beacons surround. Walks to the right of the frame and stops. Amy turns to look and Jenny, there is a pause and then in unison the two walk to meet each other in the middle. Browned leaves begin to engulf them and create an area to themselves. 

Shot 45- The camera begins to circle around Jenny and Amy, Amy's focus is Jenny but Jenny's focus is the leaves. 

Shot 46- P.O.V. of jenny looking at the leaves, natural lighting the camera tilts to see Amy handing her a rose that is in bud. 

Shot 47- P.O.V of Amy watching Jenny smell an open rose, natural lighting Jenny closes her eyes and fade out. 

Shot 34- Long shot Jenny is on a slope surrounded by hills she turns to look around her but slowly as if breathing in her surroundings rather than being shocked by them. Natural lighting.

Shot 35- Jenny walks in a direction purposefully as if knowing where she is going the camera tracks this movement. 

Shot 36- Jenny reaches a stream and crouches by a particular spot and starts to trail her fingers in the water.